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| Upon its premiere in 1999, Ghostcatching was described as having made complementary what had before been diametric: the combination of technology and humanity. The 7-minute work was created using pioneering motion-capture techniques, and Mr. Jones was filmed in a seamless succession of roughly forty different choreographic sequences. In their final rendered form, the bodies for Ghostcatching fall between a scribble and an x-ray, with line and density providing a visual suggestion of rhythm and character, while the numerous facets of Mr. Jones’s distinct artistic personality shine through. |